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Controversial ‘Looney Tunes’ Christ Painting Sparks Outrage at Sydney Art Contest 

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A provocative painting depicting Jesus Christ as a Looney Tunes character has ignited a firestorm of controversy at an art competition in Sydney. Created by Australian artist Philjames, known for his audacious takes on pop culture, the piece reimagines a biblical scene where Jesus comforts the daughters of Jerusalem while bearing the cross. However, instead of conveying sorrow and anguish, Philjames replaced the faces of his subjects with hysterical cartoon expressions. 

The 2023 oil painting, titled Jesus Speaks to the Daughters of Jerusalem (2023), was submitted to the Blake Art Prize exhibition at the Casula Powerhouse Arts Centre. This competition honors works that delve into themes of religion and spirituality. However, following an avalanche of online criticism, the organizers decided to pull the artwork due to fears of potential “violence” from protestors, who viewed it as “another attack on Christianity.” 

Philjames reflected on the situation, saying, “I do like stirring a bit of a reaction with my work, but the novelty very quickly wore off on Friday. The level of vitriol and the sheer volume of it was actually frightening.” The uproar even prompted Ned Mannoun, mayor of Sydney’s Liverpool district, to request the painting’s removal. Mannoun commented, “The Christian Messiah and the Muslim Messiah Jesus has no connection to the cartoon character Goofy.” 

While Philjames expressed concern over the potential for violence, he also voiced his worries about the implications for artistic freedom. He criticized the mayor’s decision as “putting politicking before freedom of expression,” and pondered, “Where does it end?” 

The controversy surrounding Jesus Speaks to the Daughters of Jerusalem underscores the delicate balance between artistic expression and public sentiment. Philjames’ work, which was intended to provoke thought and conversation, instead sparked intense backlash, highlighting the challenges artists face when addressing sensitive topics. The incident raises important questions about the limits of freedom of expression and the role of art in challenging societal norms and beliefs. 

The Blake Art Prize exhibition, renowned for its focus on spirituality and religion, has found itself at the center of a heated debate. The removal of Philjames’ painting may quell immediate tensions, but it also sets a concerning precedent for the censorship of controversial art. As the art world continues to navigate these complex issues, the question remains: how can artists freely express their perspectives without inciting hostility? 

For now, the painting remains a poignant example of the power of art to provoke strong reactions and the ongoing struggle to balance creative freedom with respect for diverse beliefs. As Philjames and the art community reflect on this incident, it serves as a reminder of the profound impact art can have on society and the importance of safeguarding freedom of expression. 

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