Maarten Baas emphasizes that the essence of his artistry lies in its functionality, which he sees as the starting point for creativity. Renowned for his inventive furniture designs, the Dutch artist-designer possesses a profound grasp of design fundamentals, but it’s his whimsical approach that truly sets him apart. He states, “Function is my starting point,” underscoring its role in providing structure and context to his work.
Baas’ exhibition, “Play Time,” at the Carpenters Workshop Gallery in LA, showcases pieces from his “Real Time” and “Close Parity” series alongside new creations. “Close Parity” features bronze cabinets that evoke a childlike fantasy, each piece delicately balanced on tiny feet, a testament to Baas’ imaginative vision. He describes the exhibition as a balance between childlike energy and adult logic.
The “Children’s Clock” series debuts at the exhibition, featuring clock faces adorned with videos of children’s drawings set in vibrant clay. Baas collaborated with 720 children of various ages and backgrounds to realize this concept, infusing each artwork with a unique personality. Time is a recurring theme in Baas’ work, exploring the notion of time’s passage and the labor involved in its measurement.
One standout piece is “Grandfather Clock – The Son,” where Baas embodies his childhood self in a 12-hour performance that constitutes the clock face. The intimate, vulnerable nature of this work reflects Baas’ commitment to his artistry and the exploration of time’s complexities.
“Play Time” encapsulates Baas’ quest to blend the spontaneity of childhood with the expertise of the adult artist, resulting in a harmonious fusion of delight and technical prowess. He remarks, “I’ve tried to find the sweet spot,” a goal he undoubtedly achieves through his eclectic and thought-provoking creations.
