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British Politician Slams Banksy’s Inflatable Migrant Boat as ‘Vile’ 

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British Home Secretary James Cleverly has harshly criticized Banksy’s inflatable migrant boat, which floated over crowds at Glastonbury this past weekend, calling it a “vile” act that celebrates “the loss of life in the Channel.” This response highlights yet another instance of a politician misunderstanding an artist’s intent to raise awareness about critical issues exacerbated by the political system. Given the current socio-political climate, such reactions are likely to continue. 

“Something like that, I think, is deeply distasteful,” Cleverly stated. “Children die in the Channel because of the actions of these vile criminals, and joking about it and celebrating it is completely unacceptable. To joke about it, to celebrate it at a pop festival when children have been dying in the Channel, is completely unacceptable.”

 

Banksy responded via Instagram, describing Cleverly’s criticism as “a bit over the top.” He added that the real boat he funds, the MV Louise Michel, “rescued 17 unaccompanied children from the central Mediterranean on Monday night. As punishment, the Italian authorities have detained it — which seems vile and unacceptable to me.” 

This is not the first time Banksy has used his art to galvanize festival attendees on social issues. In previous Glastonbury appearances, he has addressed animal rights in 2014 and knife violence in collaboration with Stormzy. His latest focus on the refugee crisis comes as British Prime Minister Rishi Sunak intensifies his hardline stance on immigration, making it a central campaign promise to “stop the boats” crossing the Channel. 

Original Story: Banksy made a notable appearance at Glastonbury this weekend with an inflatable raft that floated above IDLES’ set. The artwork aims to raise awareness about the growing refugee crisis, exacerbated by Prime Minister Rishi Sunak’s strict immigration policies and ongoing geopolitical tensions, including the conflict between Israel and Hamas.  

Stay tuned for more updates on this unfolding story and the ongoing debate surrounding art, politics, and humanitarian issues. 

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